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Praise
for
Thompson performs
a fascinating dissection of tango, picking apart its history with an enthusiast's
passion and a scholar's authority. Pulling references from poetry, painting,
and most potently from African dance, he shows us tango as an ecstatic
manifestation of life's emotional dynamics and inflames us with his reverence
for the form."
“Robert Thompson’s
Tango indeed is an aesthetic history of that dance of heterosexual passion.
The book has gusto, and its own deep song of eloquent erotic ecstasy and
sorrow. It will inform readers until they
"I was startled to
find how interesting this subject can be.
“In language no doubt
inspired by the lyrics of its subject, this serious volume examines and
celebrates the cultural history of the famed Argentine dance, conveying
its real passion and the author’s passion for it. Thompson, the renowned
Yale Africanist and art historian, convincingly evokes the often-obscured
African roots of the dance, whose name comes from the Ki-Kongo word for
‘moving in time to a beat’.… Holloywood versions of the dance pale once
Thompson beings to mine the riches of tango’s rhythms, lyrics, philosophy
and steps…for fans of dance, music and cultural history, this is the real
deal.”
PRESS RELEASE Contact: Katie Freeman, 212-572-2685, kfreeman@randomhouse.com “Tango is timeless, mixing love and action in the motion of its people.” TANGO
"Thompson performs a fascinating dissection
of tango, picking apart its history
“Robert Thompson’s Tango indeed is an aesthetic
history of that dance of heterosexual passion. The book has gusto, and
its own deep song of eloquent erotic ecstasy and sorrow. It will
inform readers until they are wild with all regret.”
"I was startled to find how interesting
this subject can be. What a fine book."
“In language no doubt inspired by the lyrics
of its subject, this serious volume examines and celebrates the cultural
history of the famed Argentine dance, conveying its real passion and the
author’s passion for it. Thompson, the renowned Yale Africanist and
Tango: the word conjures up images of dark sensuality, lithe movements, dips and struts and long legs moving confidentially across a dance floor. Tango plays a role in a host of Hollywood movies, in ways both accurate and exaggerated—from Jack Lemmon tangoing in drag in Some Like it Hot, to a blind Al Pacino’s beautiful tango in Scent of a Woman, to Madonna as Eva Peròn in Evita. As Robert Farris Thompson writes in TANGO: THE ART HISTORY OF LOVE (Pantheon Books/September 20, 2005/$28.50), “It was the fabulous dance of the past hundred years.” Born in Argentine from a confluence of difference dance concepts, tango quickly became the heart of Argentine culture. A seven-story mural of the world-famous tango singer, Carlos Gardel, overlooks downtown Buenos Aires, a city full of “tangueros, women and men who organize their lives around the music, and milongueros, women and men who organize their lives around the dance. Strong in stance, sure in their motion, they gave the century a set of moves that spanned the whole globe and that are with us forever.” TANGO is the definitive history and exploration of that dance. In Thompson’s hands, the complicated depths of tango come alive, exposing the emotions of love, loss, anger, valor and humor that define the dance. He deftly explores the dancers—African and Afro-Argentines, Spanish and Italian migrants, Euro-Argentines, and Argentines from every class—who gave birth to the steps, the lyricists who gave words to the motions, and the singers who gave voice to the music. In doing so, he reveals the ways in which tango is a culture and a philosophy, an art and a text, as well as a dance. “Danger and violence confronted the world across the whole of the twentieth century. The women and men of the tango kept going, turning outrage into song.” TANGO: THE ART HISTORY OF LOVE illuminates the tango as the defining feature of Argentine culture, which has permeated the world with its explosive strength and its passionate expression. TANGO: The Art History of Love
About the Author Robert Farris Thompson is a world-renowned
Yale art historian and author of the now-classic Flash of the Spirit: African
and Afro-American Art and Philosophy. He is also the author of, among other
works, Black Gods and Kings and African Art in Motion. He has been a Ford
Foundation Fellow and has mounted major exhibitions of African art at the
National Gallery in Washington, D.C. He is Col. John Trumbull Professor
of the History of Art at Yale University, where he is also Master of Timothy
Dwight College. He lives in New Haven.
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